a sequence showing the buildup of the image.  What dominates this image for me is the initial choice of colour. I very rarely use this green and find that with the (initial) cobalt blue that it was too garish and lively but with french ultramarine became more exotic.  As though I was now in a rain forest, not a wet wood in Surrey.  The painting has its own life.  Again when painting this image there is the possibility of discovering what is underneath.  Not very different from walking in a wood in Surrey.